- #Universal audio compressor full
- #Universal audio compressor pro
- #Universal audio compressor software
To this day, if a compressor uses the word FET anywhere in its name, chances are it takes at least a little inspiration from the 1176.
#Universal audio compressor software
There are many software takes on the 1176 Peak Limiter, from UA’s official versions through Waves’ CLA-76, Softube’s FET Compressor and Native Instruments’ VC 76 to Antress’ tasty freeware Seventh Sign. Decades after it first delivered its trademark thwack to an underwhelming snare, it’s still rightly at the top of many producers’ wish lists. Universal Audio 1176LN Limiting Amplifier Features: Enhance your music with the legendary FET compressor/limiter Custom Class A output transformers Record. The 1176 Peak Limiter has made a towering contribution to production history. 4-channel Tube/FET Preamp and DI with Tone Blending Knob, and 8-channel 24-bit/192kHz A/D Conversion.
#Universal audio compressor pro
In doing so he created the first incarnation of the 1176 Peak Limiter, a box that would go on to find a home in almost every serious pro studio in the world. Universal Audio 4-710d 4-channel Microphone Preamp & Compressor. The most recent – and current – is the black-face 2000 re-issue, recreated from the original designs. In 1966, Universal Audio founder Bill Putnam redesigned his successful 175/176 limiting amplifier design using FETs instead of valves. If you’re investing in one of these vintage beauties make sure you choose your revision carefully. In the 1176’s long history, there have been many incarnations of the blue-striped original, some better than others. The high ratio, often distorted results of this ‘all buttons in’ (or ‘Brit’) mode can be explosive on drums and aggressive on bass. By pushing in all four buttons simultaneously, the unit can be forced to behave in a completely different manner to the way in which Putnam intended, with seriously assertive results. In addition to the four standard ratios selected via push buttons on the front panel, engineers soon discovered a secret (and unintended) trick up the 1176’s sleeve.
#Universal audio compressor full
But it’ll also work on just about anything else, from kicks, snares and claps through to synths and even full drum sub-mixes. For grabbing vocals and placing them at the front of the mix it’s near impassable. Sound-wise, the 1176 Peak Limiter can be many things, but it is probably best known for the energy and high-class grit it bestows, a musically-pleasing pushing of the tone in the lower mids. It offers no threshold control – just input and output dials, with the amount of compression decided by the input level. Universal Audio developed ground breaking products such as the LA-2A compressor and the 610 tub mic preamp which has been used to record artists from. The main selling point of the all-solid-state device was its ultra-fast attack time – a startling 20 µs. In doing so he created the first incarnation of the 1176 Peak Limiter, a box that would go on to find a home in almost every serious pro studio in the world. In 1966, Universal Audio founder Bill Putnam redesigned his successful 175/176 limiting amplifier design using FETs instead of valves. No expense has been spared to guarantee that this LA-2A will bring that classic sound to your recording. As a result, today’s LA-2A will bring the same legendary compression characteristics of the original to all of your recordings.Įach unit is hand-built and hand-wired in-house at UA with each component being carefully evaluated for authenticity. A great compressor in any one’s arsenal to have. Phase-coherent stereo imaging is maintained when the LA-3A plug-in is used on a stereo signal.
When in the Off position, the plug-in is disabled and UAD DSP usage is re- duced. Each unit is point-to-point hand-wired and built in Scotts Valley, California, with every component carefully evaluated for authenticity. When set to output, the VU Meter represents the output level (the output meter is not calibrated).
Painstaking care has been taken to ensure that every new LA-2A provides the performance characteristics of the original. This faithful Universal Audio reissue marks the rebirth of the Teletronix LA-2A. A unique tube-driven electro-optical attenuator system allows instantaneous gain reduction with no increase in harmonic distortion - an accomplishment at the time, still appreciated today. The original was immediately acknowledged for its smooth, natural compression characteristics.